Publisher Note

In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism.
This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.

Hiroshi Hamaya (1915–1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year’s rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world.

Kansuke Yamamoto (1914–1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, René Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs.

Along with essays by the book’s coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt.

This book, which features more than one hundred images, accompanied in 2013 an exhibition of the same name on view at the J. Paul Getty Museum.

Artist Monograph

Hiroshi Hamaya, Kansuke Yamamoto

Japan’s Modern Divide

— The Photographs of Hiroshi Hamaya and Kansuke Yamamoto

edited by Judith Keller, Amanda Maddox

Release Place Los Angeles, CA, United States of America
Edition 1st edition
Release Date 2013
ISBN-13: 9781606061329
Topics Documentary Photography, Japanese Photography, Surrealism
Language English
Format hardcover with dust-jacket
Dimensions 24.9 × 28.8 cm
Pages 224