Written in the context of unprecedented dislocation and a global refugee crisis, this edited volume thinks through photography’s long and complex relationship to human migration.
While contemporary media images largely frame migration in terms of trauma, victimhood, and pity, so much more can be said of photography’s role in the movement of people around the world. Cameras can document, enable, or control human movement across geographical, cultural, and political divides. Their operators put faces on forced and voluntary migrations, making visible hardships and suffering as well as opportunity and optimism. Photographers include migrating subjects who take pictures for their own consumption, not for international recognition. And photographs themselves migrate with their makers, subjects, and viewers, as the very concept of photography takes on new functions and meanings.
Photography and Migration places into conversation media images and other photographs that the contributors have witnessed, collected, or created through their diverse national, regional, and local contexts. Developed across thirteen chapters, this conversation encompasses images, histories, and testimonies offering analysis of new perspectives on photography and migration today.
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"This volume goes beyond the conventional frame of photography and migration to provide a unique perspective on the intersection of these issues. With important global and historical dimensions, the contributors understand photography as a performative practice rather than just a representational medium. The result is a collection that will become an indispensable reference on a permanent crisis."
David Campbell, World Press Photo Foundation