‘The joy of collecting is driven by noticing what is overlooked and cherishing the connected items for their individual characteristics. In the presentation of this collectionit is hoped that the beautiful qualities and patterns of the project can come to the fore and demonstrate the value of looking again at things that might at first seem indistinguishable’.

This photographic topography presents all 323 varieties of cherry blossom in the UK in the style of a pomological book. Pomology is the study and science of fruit trees, with the aim of improving and developing attributes such as taste, longevity and yield of popular fruits. Seldom is a comprehensive range of cherry blossom represented in books on the subject as the delicate flowers are considered too uniform for traditional illustration to capture the nuances of difference between varieties. Artist Sam Vale, has utilised the camera which can capture more subtle differences between blossoms, to address this void and record a complete taxonomy of British cherry blossom.
The blossoms recorded in this book are removed from their original context of the orchard and photographed against a neutral backdrop.  Vale was granted access to the National Fruit Collection at Brogdale in Kent which keeps a pair of each variety of cherry available in the United Kingdom. The National Cherry Collection belonged to Kent Farm Institute at Borden near Sittingbourne, but passed into the care of MAFF (now Defra) in 1965. The collection was last re-propagated and established in its present location in spring 1996.  Varieties are either Sweet (Prunus avium), Acid (or Sour) (Prunus cerasus) or Duke cherries, which are hybrids between the two. Varieties are grouped into type, then colour (black, red, white or mixed) segregated into early, mid and late season.

‘Collecting is driven by two opposing ideas, the similarities of the items being acquired which connect under a scheme devised by the collector, for example stamps, clocks or books. Yet, simultaneously, the objects within the collection need to also have differences to distinguish them from each other and hold the interest of the collector. The joy of collecting is driven by noticing what is overlooked and cherishing the connected items for their individual characteristics. In the presentation of this collection it is hoped that the beautiful qualities and patterns of the project can come to the fore and demonstrate the value of looking again at things that might at first seem indistinguishable’.