Hold The Sound – Notes On Auditories

To Be Continued

Crickets

Post-Music

SSS

How to imitate the sound of the shore using two hands and a carpet

Speaking and Listening

Broken Music

The Spoken Word in Music

When The Ocean Sounds

Raising Moths

Attempts at (musical) ekphrasis on Watering a flower by Haruomi Hosono

Records by Artists 1959-1990

Cyanotypes

Sound by Artists

The Music to Come

JAJAJA von 999

Make A Joyful Sound

I want to say something

24.00 CHF

Geluid <=> Kijken. Drie audio-visuele projekten / Sound <=> Sight. Three audio-visual projects

Une généalogie des grandes oreilles

(Innere Stimme)

Listening to Images

The Impossibility of Silence

Writing for Designers, Artists & Photographers

Spectres

Composer l’écoute / Composing listening

The Art of Noise

Sonatas and Interludes - Prepared Piano

Estudio elemental del Levante

Stockhausen Serves Imperialism

Basta Now

Women, Trans & Non-binary in Experimental Music

Intermediary Spaces

Inhabiting the Negative Space

Remapping Sound Studies

Hungry Listening

Resonant Theory for Indigenous

Quantum Listening

We Have Delivered Ourselves From the Tonal – Of, Towards, On, For Julius Eastman

Software For People

Listening to Noise and Silence

Towards a Philosophy of Sound Art

Deep Listening: A Composer's Sound Practice

Sound American No.28

The Mapping Issue

Sound American No. 23

The Alien Issue

Sound American No.21

The Change Issue

Sound American No.29

The Roscoe Mitchell Issue

Sound American No. 22

The Lee Hyla Issue

Sound American No. 27

The Life Issue

How to disappear

A Forest Petrifies: Diamond Feedback

Artificial Music

DNA #13

Inflamed Invisible

Goldsmiths Press / Sonics Series Inflamed Invisible Collected Writings on Art and Sound, 1976–2018

No Silence

4’33 de John Cage

Coming to Know

Guerre Sonore

Bodies Of Sound

Becoming A Feminist Ear