Art Book Fair

Melbourne Art Book Fair

Melbourne Art Book Fair

Mar. 15th – 17th 2019

Melbourne, Australia

Featuring diverse emerging and established local and international publishers, artists and writers, Melbourne Art Book Fair 2019 presents a four-day program of ideas, discussions and book launches at the National Gallery of Victoria. The 2019 program explores ideas around experimental and discursive publishing, challenging how we think about the publishing field.
Publishers

4A Centre for Contemporary Asian Art,5 Press,A Published Event,Aperture Foundation,Art + Australia,Artlink Australia,Arts Project Australia,Assemble Papers,Australian Scholarly Publishing,Bloom Publishing,Bloomsbury Publishing,Books at Manic,Bus Projects,Centre for Contemporary Photography,Commune,De Player Rotterdam,Diane Incorporated,Distributed Art Publisher,Edizioni Corraini,Fireflies,Garage Museum of Contemporary Art / Russian Independent Press,Gargouille,Girls Like Us,Gracia Haby & Louise Jennison,Gusher Magazine,Hardie Grant Books,Heide Museum of Modern Art,I'm Home Books,INFLECTION Journal Melbourne School of Design,Idea Books,Intellect,Kate Disher-Quill,Keith Walsh,Kids' own publishing,Knowledge Editions,Ladies of Leisure Zine,Lindsay,MIND HEAD,Mack,Martin Bell,Matters Journal,Melbourne Books,Molonglo,Momento Pro,NGV design store,Negative Press,Ok Books,Perimeter Books,Perspektif Magazine,Photography Studies College (Melbourne),Publication Studio Pearl River Delta,Publication Studio Rotterdam,RMIT Communication Design Undergrad + Masters Studio,Rim Books,Rohan Hutchinson,Ruin Press,Schwartz City,Secret Envelope,She Shoots Film,Silent Army Storeroom,Spooky Books,Sternberg Press,Surpllus,TUNICA,Tara Books,Thames & Hudson,The Australian Centre for Contemporary Art,The Baldessin Press & Studio,The Good Copy,The Institute of Modern Art,The Lifted Brow,The Melbourne Photobook Collective,The Queensland Photobook Consortia,Thick Thongs,True Belief,University Art Museums Australia (UAMA),Uro Publications,VAULT,Valiz,World Food Books,Wuthipol Uj,Yoko Georgiou,un Projects

Address 180 St Kilda Rd, 3006 Melbourne, Australia

273 editions by participating artists and publishers on edcat

Planetary Realism

Art Against Apocalypse

Black Earth Rising

Colonialism and Climate Change in Contemporary Art

Lots of Lots

A Worm’s Eye View From a Bird’s Beak

Art Applied

King, Queen, Knave

American Artifacts

Why We Photograph Animals

In the Beginning

Anselm Kiefer & Photography

Good Reviews

I’ll let you be in my dreams if I can be in yours

The Last Safe Abortion

The Corporeal Life of Seafaring

Collaboration

A Potential History of Photography

Tainted Love

From Nina Simone to Kendrick Lamar

22.00 EUR

Grundkurs: What is Architecture About?

Photofile

Future Book(s)

Sharing Ideas on Books and (Art) Publishing

Mountain of Salt

Dislocations

Hyperborea

Stories from the Arctic

Samuel Fosso

What She Said

Bordered Lives

Immigration Detention Archive

Shop Cats of China

Inhabiting the Negative Space

Eikoh Hosoe

The African Lookbook

A Visual History of 100 Years of African Women

TTP

Stories, Myths, Ironies

Face Time

A History of the Photographic Portrait

Don't Follow the Wind

How to know what’s really happening

Todd Webb in Africa

Outside the Frame

American Geography

A Reckoning with a Dream

Dark Mirrors

Bugis Houses, Celebes

After

The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams

Golden Apple of the Sun

Speak The Wind

Who is Changed and Who is Dead

Glass Life

Chizu

Elisabeth Haarr

The Local

Stable Vices

But still, it Turns

Steel Town

The Parameters of Our Cage

Seventy-Two and One Half Miles Across Los Angeles

Utopia

Magnum Ireland

Africa State of Mind

Contemporary photography reimagines a continent

Ciprian Honey Cathedral

A1

The great North Road

To Make Their Own Way in the World

The Enduring Legacy of the Zealy Daguerreotypes

Notes on Contemporary Art in Kosovo

Critique in Practice

Renzo Martens’ "Episode III: Enjoy Poverty"

Cimarron

Freedom and Masquerade

Made In Dublin

Halluzination, Perspektive, Synthese

Elf Dalia

Earth - Aperture 234

Tabriz to Shiraz

Museum of the revolution

Erwin Olaf: I Am

Scene

Magnum Streetwise

The Ultimate Collection of Street Photography

Jolly Rogers

How to disappear

Fifth Honeymoon

Double Take

Reconstructing the History of Photography

Restricted Images

Made With the Warlpiri of Central Australia

Para-Platforms

On the Spatial Politics of Right-Wing Populism

Profit over Peace in Western Sahara

How commercial interests undermine self-determination in the last colony of Africa

Tamam Shud. An Artist’s Novel

Jahresring 64. Qu’est-ce qui est différent?

The Artist As Producer, Quarry, Thread, Director, Writer, Orchestrator, Ethnographer, Choreographer, Poet, Archivist, Forger, Curator, and Many Other Things First

Caspian: The Elements

Caspian: the Elements

April Dawn Alison

Canary and the Hammer

American Winter

This empty world

Oobanken

I Know How Furiously Your Heart Is Beating

Colazione sull'Erba (Paperback)

The Island Position

Home away from home

What Is Different?

Jahresring 64

Hard Werken: One for All, Graphic Art & Design

in relation to a Spectator:

Solution 275–294

CATPC

Cercle d’art des travailleurs de plantation congolaise Congolese Plantation Workers Art League

Keep Walking Intently.

The Ambulatory Art of the Surrealists, the Situationist International, and Fluxus

Words, Books, and the Spaces They Inhabit

Nausea

Ravens

If Only You Could See What I've Seen with Your Eyes

Design Thinking in the Digital Age

The Mechanism

Corbeau

FOREVER

RAVENS

Beyond the shadows

The Holocaust and the Danish exception

Platform Africa

The Moth

The camera: Essence and Apparatus

Ouarzazate

The Map and the Territory

Domesticated land

My kingdom

Per Strada

Okeanos

Destroyed House

Sleeping by the Mississippi

Fish story

The land in between

photographs from 1980 to 2012

Pictures From Home

Nothing But Clouds

Corbeau – Anne Golaz

Prison nation – Aperture 230

A handful of dust

Nothing's In Vain

The Promise of Total Automation

SSS

How to imitate the sound of the shore using two hands and a carpet

Jahresring 64. Was ist anders?

Everything, Always, Everywhere

Incoming

First things first

The Narcissistic City

Transparency is the new mystery

Publishing as Artistic Practice

Limits to Growth

Belongs to Joe

Essential Elements

Nature & Politics

Photography Against the Grain

Essays and Photo Works, 1973-1983

While the fires burn

a glacier odyssey

Message from the Exterior

I will be wolf

Provisional Arrangement

West/East

The Complete Essays 1973–1991

Spirit is a Bone

Magnum Contact Sheets

Publishing as Artistic Practice

Life on Sirius

The Situationist International and the exhibition after art

Florian Hecker, John McCracken

Hibi

Look Book

A-Z Life Coaching [A-Z]

Books and Ideas after Seth Siegelaub

Live in the house and it will not fall down

Duskdust

New Ways of Doing Nothing

Book care or,

Best Book Don’t Care or, Poor Form from Fringe Areas

Buon Fresco

Seductive Exacting Realism

Memoirs of a Hypnotist

100 Days

Realism Materialism Art

At the hour of tea

(DUPLICATE) Negative Publicity

Artefacts of Extraordinary Rendition

Artist Novels

The Book Lovers Publication

Contacts

Approximation in the digital age for a humanity condemned to disappear

Sand Rushes In

Mime Radio

Rochester 585/716

Postcards from America Project

The Home Front

Salt & Silver

Early photography 1840-1860

Songbook

Songbook

The notion of family

Got to go

Dark Rooms

Dark Rooms

Playmates and Playboys at a Higher Level

J. V. Martin and the Situationist International

Baroque Baroque

Paris 11-15th November, 2015

Headless

Spells

Terminal

f.

The Duchamp Dictionary

Noon on the Moon

The Drumhead

“We Support Everything since the Dawn of Time That Has Struggled and Still Struggles”

Two-frame films 2006-2012

The Sovereign Forest

Songbook: Alec Soth

The last cosmology

Lives of the great photographers

An Archeology of Fear and Desire

Blossom

Dear Narrator

8 Women

Hamlet, mise-en-scène. EXTRA TROUBLE

The Shape of Evidence: Contemporary Art and the Document