image source: Kunsthalle Zürich

Publisher Note

Among such contemporaries as Mike Kelley and Jim Shaw, but also Tony Oursler and Stephen Prina, John Miller embodies a singular position: he articulates the synthesis of an ideologically committed critique of representation with a postconceptual shift toward the "real." Using completely stereotyped genres (figurative painting, travel photography, landscape painting, and so on), Miller, like Sherrie Levine and Richard Prince, has, since the end of the 1970s, challenged the function of the author and the concomitant loss of aura of the artwork. Yet this critique is for him only a means of revealing the repressed aspect of the ideological aggregates of day-to-day late-capitalist Western culture.

First noticed for his brown "faux" abstract painting and objects recovered by a brown impasto, he resisted to what he calls "aesthetic appropriation" by regularly shifting his practice, introducing series such as the "Middle of the Day" photographs, game show sets and paintings, and golden maquettes through the 1980s and 1990s. This strategy of resistance to a reduction of his work to any critical tag explains why, despite the early critical recognition of his work by theoreticians such as Hal Foster, he is still overlooked among his generation.

Including newly commissioned essays, this book attempts to remap his entire oeuvre by articulating its development through various series, media, and aesthetic strategies.

Artist Monograph

John Miller

A Refusal to Accept Limits

edited by Beatrix Ruf, Kunsthalle Zürich

Release Place Zurich, Switzerland
Release Date 2010
Artist: John Miller
ISBN-13: 978-3-03764-0326
Original Price 60.00 CHF
Topics Commentary, Humor, Social Life, Society
Methods Photography
Language German, English
Format Softcover
Dimensions 23.8 × 28.8 × 1.7 cm
Weight 930 gram
Pages 167
Content 131 color; 36 b/w images

Released in context with

John Miller

Web references

Kunsthalle Zürich

last updated 1018 days ago

Data Contributor: Kunsthalle Zürich

Created by KunsthalleZurich

Edited by edcat, KunsthalleZurich