Publisher Note
Jules Spinatsch began working with automatic cameras fifteen years ago, making use of the equipment employed in the surveillance of public spaces. At the time he created a 180° panorama of the World Economic Forum in Davos consisting of 2,176 individual images. He continued the group of works entitled Semiautomatic Photography with, among other things, shots of a football stadium, the Vienna Opera Ball, a prison, and the SAP headquarters. The book Semiautomatic Photography now shows the complete cycle for the first time. In it, Spinatsch foregrounds a selection of individual pictures that otherwise form a tiny element in his panoramas. Rather like in William S. Boroughs’s cut-ups, this process of “cutting out” single photos gives rise to a subversive image strategy, reflecting on the function of the visual in a society of control. The book appears in conjunction with the exhibition “Jules Spinatsch, Semiautomatic Photography 2003 – 2020” at the Centre de la Photographie Genève, from 12 December 2018 to 2 February 2019.
Publisher | |
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Edition | 1st edition |
Release Date | 2019 |
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Artist:
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Identifiers |
ISBN-13:
9783959052924
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Work | |
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Topics | Control, Public Space, Surveillance |
Methods | Photography |
Language | English, French, German |
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Format | Paperback |
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Pages | 352 |
Web references
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Data Contributor: Artphilein Library
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