Cover, image source: buypichler.com, © Michalis Pichler

Publisher Note english

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice. Edited by Michalis Pichler.

Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.

The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.

Contributors AND Publishing, Oswald de Andrade, Archive Books, Art-Rite, Rasheed Araeen, Tauba Auerbach, Michael Baers, Bibi Bakare-Yusuf, Ricardo Basbaum, Derek Beaulieu, Bernadette Corporation, Riccardo Boglione, Bombay Underground, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Eleanor Vonne Brown, Urvashi Butalia, Ulises Carrión, Mariana Castillo Deball, Paul Chan, Chimurenga, Arpita Das, Anita Di Bianco, Guy Debord, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Karl Holmqvist, Lisa Holzer, Mahmood Jamal, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kione Kochi, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara Mackillop, Steve McCaffery, Jonathan Monk, Simon Morris, Mosireen, León Munoz Santini, Takashi Murakami, Deke Nihilson, Aurélie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Seth Price, Riot Grrrl, Carlos Soto Román, Allen Ruppersberg, Joachim Schmid, Oliver Sieber, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Hito Steyerl, Mladen Stilinović, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, V. Vale, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, Gil J Wolman, zubaan

Copublished with Miss Read: The Berlin Art Book Fair

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.

Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.

The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.
Source

Art Book, Art Theory

Publishing Manifestos

edited by Michalis Pichler

Publisher
Release Place Boston, MA, United States of America
Edition 1st edition
Release Date 2019
Credits
Writer: zubaan, Eleanor Vonne Brown, Lisa Holzer, Rasheed Araeen, Bibi Bakare-Yusuf, Ricardo Basbaum, bpnichol, Urvashi Butalia, chimurenga, Arpita Das, Oswald de Andrade, Ntone Edjabe, Marina Fokidis, Marianne Groulez, Alex Hamburger, Mahmood Jamal, Tom Jennings, Kwani?, Bruce LaBruce, Steve McCaffery, Mosireen, León Muñoz Santini, Deke Nihilson, Johnny Noxzema, Riot Grrrl, Carlos Soto Román, Mladen Stilinović, V. Vale, Gil J Wolman, Tan Lin, Karl Holmqvist, Annette Gilbert, Matthew Stadler, Kate Briggs, Jan Wenzel, Michael Baers, Clive Phillpot, Alessandro Ludovico, Nick Thurston, Craig Dworkin, Robert Fitterman, Riccardo Boglione, Jorge Luis Borges, Ulises Carrión, Constant Dullaart, Zenon Fajfer, Gloria Glitzer, Sharon Kivland, Kione Kochi, El Lissitzky, Aurélie Noury, Paul Soulellis, Gertrude Stein, Paul Stephens, Temporary Services, TIQQUN, Eva Weinmayr, Takashi Murakami, Oliver Sieber, Hito Steyerl, David Jourdan, AND Publishing, Allen Ruppersberg, Anita di Bianco, Archive Books, Art-Rite, Bernadette Corporation, Bombay Underground, Broken Dimanche Press, Derek Beaulieu, Elisabeth Tonnard, Eric Watier, Erik van der Weijde, General Idea, Joachim Schmid, Jonathan Monk, Katja Stuke, Lawrence Weiner, Mariana Castillo Deball, Michalis Pichler, Paul Chan, Queeres Verlegen, Ray Johnson, Sara MacKillop, Seth Price, Simon Morris, Stephen Willats, Tauba Auerbach, Vanessa Place
Printrun 2200
Identifiers
ISBN-13: 978-0-262-53718
ISBN-13: 9780262537186
Work  
Topics Manifestos, Publishing
Language English
Format Hardcover
Dimensions 17.5 × 24.5 cm
Weight 1,000 gram
Pages 340

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